This week’s photo isn’t magical in and of itself, but the editing that I did to it feels like some sort of voodoo magic that produces amazing pictures. It’s for the WPC found here
I edited this picture with GIMP (GNU Image Manipulation Program) a free program that’s just like photoshop. I know a lot of people probably already know how to do stuff like this, but this is the first time I’ve done anything so complicated and I feel really excited by the result! What do you think? Old hat or still a fun technique?
I think this weekly photo challenge, ‘chaos,’ fits the week rather well, and that’s why I chose this picture. The chaos theory is one of those scientific ideas that resonates with a lot of people who don’t need to understand the underlying mathematical justification (it’s complicated) to see the validity of the concept. If you’re unfamiliar with chaos theory, I think it can best be explained by the phrase, “things just happen. What the Hell.” Or there’s a whole analogy of a butterfly flapping its wings on one side of the world, which through a series of knock-on effects causes a tornado on the other side of the planet. Take your pick.
“John Loengard, the picture editor at Life, always used to tell me, ”If you want something to look interesting, don’t light all of it.”
– Joe McNally, The Moment It Clicks: Photography Secrets from One of the World’s Top Shooters
As part of my ongoing series about photography, I wanted to talk about how to take a picture indoors.
Indoor shooting is relatively simple once you know how, because light levels tend to be more constant than they are outdoors, where clouds can cause serious problems with over or under exposed photos. I also have an article with more general info about setting up a shot.
Lighting lighting lighting:
Some people claim you can never light too much, but if that lighting is uneven, you will get a better shot by ditching some of the lighting and changing your camera settings to adjust for low light levels – you can do this by slowing down your shutter speed (1/30 will let more light in than 1/300), by increasing your ISO, or by changing your f-stop number to a lower number (1.8 will let in more light than 4.6, but check your lens, some don’t go down very low). If you do have access to bright, even lighting, you want to play around (left, right, and top are usually where you put them) to find the best positioning for your lights. Remember to adjust the white balance on the camera if you’re using artificial lighting or everything has a tendency to come out yellow.
Tidy the area in and around the shot, because unexpected things will end up in frame if you forget about them and move the camera slightly. I’ll never forget the time I’d done a set of photos for this website, and it was only when I was resizing them that I realized a couple of the pictures had a pair of old socks in the background!!
Put the camera on a stable surface if you can, such as a tripod – this is essential for video. While you don’t need a tripod specifically, any stable surface should be fine, it’s easier to change the height and levelling of the camera with a tripod. For Youtubing, I put my camera on the wooden flat bit at the top of my headboard and I sometimes raise it with paperback books.
Playing around with angles is one of the fastest ways to improve pictures from sort-of-meh, or flat, to vibrant shots that will jump out at the viewers. Even the most boring of things can look totally different depending how you shoot them. Tilt your camera up or down, increasing or decreasing height of the camera to ensure the subject is still in the viewfinder, to experiment with different angles.
If you’re using manual focus, you need to make sure you’ve adjusted it. With automatic focus, check that the key elements of the shot are actually in focus. I had one bridge camera whose autofocus had a terrible habit of focusing on the least interesting component of any given shot, which drove me to distraction because it didn’t have a manual option – this terrible focal problem was the entire reason I snapped and bought my DSLR.
Finally, when you’ve got your shot set up, take your picture. I always re-take at least twice to make sure I got everything right.
Today’s entry for the Weekly Photo Challenge: Numbers is just a few of the photos I collected around Europe showing the numbers of people who died in the two world wars.
In Britain, every town, every village, every city has its war memorial. It is a constructed object, such as a sculpture or a stone alcove, which serves to remind us of the people who never came home from World War I and World War II.
I once had the fortune to actually visit the war graveyard in Huddersfield. It’s not for the faint hearted and I remember trying to read every single headstone, the name of every single person interred there.
The number of people who died on both sides in World War I and II is staggering. When reading/experiencing that aspect of history, it tends to make me have a panic attack; the sheer inescapability of death was a daily reality for most of these people. Having PTSD, I find this immensely triggering and tend to suppress the anxiety, leading to the delayed reactions I keep getting told are really unhealthy – the migraines, the vomiting, feeling angry (because I’m feeling so shaken) for hours, sometimes days afterwards. I hate thinking about these wars, but I feel like I should, because they happened, and these people’s lives are over as a result, and the world would be very different if they had not happened.
I wasn’t born then, so of course I never asked them to go to war for me, to ensure my future survival, but they did anyway. Whichever side these soldiers were on, they were treated like millions of expendable ants at the beck and call of their country. For that, for the fact that they were put in this shitty impossible situation with no real chance of surviving it, we should be fucking grateful to them. We should have some empathy. It makes me angry to think that some people pretend these wars never happened, people pretend that the Holocaust never happened, how can anyone really believe that? I think in their hearts they know it to be true.
I’ve talked before about the memorials in the photos above in Impressions of Salzburg. What I’ve never talked about was my experience in Salzburg Museum, because it set off my PTSD and made me sickened and pretty depressed. The Salzburg Museum’s exhibition of the First World War was a particular eye opener. The Austrian point of view is that they were defending their assassinated archduke. The exhibit explained an awful lot about World War I that we in England tend to not get told, and English speaking resources tend to follow suit.
I would strongly urge anyone with an interest in the history of the Great War to research original non-British primary sources as well as the English sources we’re used to seeing, to get a more balanced view of the First World War, who was actually fighting it, and how it caused the second. I’m not taking sides here, but it’s damn scary to see how Britain actually contributed to the rise of Fascism and Nazism, and I think there’s a lot of lessons we aren’t learning while we pretend our government wasn’t part of the problem in that first war. The individual soldiers, of course, had no idea of this. The only people who should have been involved in that war were Austria and Serbia, and as a result of ridiculously convoluted diplomatic ties, millions upon millions of lives were lost for no reason on all sides. Many were aged 16-18.
We need to remember them, otherwise we could *be* them.
So I’ve been very, very busy editing my next two books, which are coming out in quick succession this month by the publisher. Titles and links and such shall be divulged once such things exist. In the meantime, some photos:
Can you believe it’s June today??? It’s going to be my wedding anniversary in 3 weeks. I swear it wasn’t 2 years since we got married!!!